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The thematic unity of the play lies in the existential question: why are...

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The thematic unity of the play lies in the existential question: why are we here?  What is our “charge,” our task, our purpose?  Gogo and Didi live in a vague world with little physical features—one tree and a few carrots or turnips, boots and a bowler hat each.  Thematically, every small action—the hat game, the tossing about of words, the description of (possible) past violent episodes—are all “passing the time,” which in...

Identify Pozzo's props in Waiting for Godot and talk about the way they...

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Identify Pozzo's props in Waiting for Godot and talk about the way they define him.

Pozzo’s props—mostly carried by Lucky—are remnants of a better...

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Pozzo’s props—mostly carried by Lucky—are remnants of a better life that Pozzo has lost along his infamous way. His most important “prop” is Lucky—the last of Pozzo’s empire of subjects, or audience, if we give his character a vaudeville past. Attached by a noose-rope, Lucky is the prop that get Pozzo through his self-aggrandized day (“Does that name meet nothing to?”). Next of importance is the whip, a universal symbol of...

The theme of reality versus illusion is a common theme in literature....

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The theme of reality versus illusion is a common theme in literature. How does the playwright handle the theme of "reality vs. illusion" in Waiting for Godot?

Waiting for Godot is a short play. Otherwise it might grow tedious...

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Waiting for Godot is a short play. Otherwise it might grow tedious because it is true that nothing much happens. Samuel Beckett's purpose was, to use Shakespeare's words, "to hold the mirror up to nature." Beckett is showing the audience how they themselves are waiting, how everyone in the world (perhaps with some exceptions) is waiting for his or her Godot. The irony is that the people in the audience are looking at themselves without...

In Waiting for Godot, the theme of "illusion versus reality" figures...

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In Waiting for Godot, the theme of "illusion versus reality" figures prominently. In one sense, the line between illusion and reality/truth is completely blurred. In a seemingly chaotic, illogical world, Didi and Gogo find it difficult to make sense of anything and therefore can not distinguish between what is real and what is illusion.  At the beginning of the play, the two men can't remember what they did yesterday. Estragon (Gogo) thinks...

Discuss the power of language (diction) and its effectiveness in...

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Discuss the power of language (diction) and its effectiveness in portraying theme or character in Waiting for Godot.

Identify some deictic cases in Waiting for Godot, and discuss their...

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Identify some deictic cases in Waiting for Godot, and discuss their importance.

One of the key themes of this excellent play is the absurdity of life,...

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One of the key themes of this excellent play is the absurdity of life, where humans find themselves pitted against a universe that is profoundly indifferent to them at best and antagonistic towards them at worst. Beckett, and other dramatists like him, tried to express this rather bleak and pessimistic vision of the universe through a new literary form of drama called the Theatre of the Absurd, which meant the abandonment of traditional drama...

An odd question, but one with significance to this particular play....

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An odd question, but one with significance to this particular play. Deictic parts of speech make clear the relation of speaker to hearer (in drama, between characters, not between actor and audience). In Godot the very perplexity of the characters’ presence (is it in the present, or in their memories, or in their imaginations?) makes the characters tentative and unsure about their situation. For example, the word “here” in a sentence...

Both Vladimir and Estragon are characters in Becket's Waiting.They are...

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Both Vladimir and Estragon are characters in Becket's Waiting.They are tramps.Estragon's being furious on Vladimir's asking him the question above denotes that it might be that Estragon considers the other vagabond's words as a taunt regarding his poverty though Vladimir did not intend to taunt him as he himself was poor.Being a wanderer Estragon had become somewhat pesimistic.So he considered his life as inferior to others.So he caled it...

Please explain what methods or lıterary technıques Samuel Beckett used...

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Please explain what methods or lıterary technıques Samuel Beckett used ın Waitıng for Godot.

Because Beckett was more interested in the stage as a presentation of a...

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Because Beckett was more interested in the stage as a presentation of a philosophical position rather than as “literature,” his techniques are more theatrical than literary—that is, he uses stage language (proxemics, imitation of an action, mimesis) rather than such tools as syntax, metaphor, or rhythm (although manuscript genetics reveal that he was very careful about the rhythm of dialogue).  Some historical references, notably the...

In Waiting for Godot, Act II p 51-52, how does Vladimir's monologue...

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In Waiting for Godot, Act II p 51-52, how does Vladimir's monologue bring out the subleties in characterization, plot, or theme?

This monologue, near the play’s end, acts as a climax to the...

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This monologue, near the play’s end, acts as a climax to the author’s speculations on the meaning or purpose of our existence.  Whatever Beckett means by Godot (and he said if he knew he would have said so), the “waiting” that pervades (in fact substitutes for) the action of this play has, in this monologue, finally exhausted the pair, and Vladimir, the “brains” or thinking part of the duo comes to the same conclusion as all...

The theme of reality versus illusion is a common theme in literature....

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The theme of reality versus illusion is a common theme in literature. How does the playwright handle the theme of "reality vs. illusion" in Waiting for Godot?

Discuss the power of language (diction) and its effectiveness in...

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Discuss the power of language (diction) and its effectiveness in portraying theme or character in Waiting for Godot.

Identify some deictic cases in Waiting for Godot, and discuss their...

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Identify some deictic cases in Waiting for Godot, and discuss their importance.

Please explain what methods or lıterary technıques Samuel Beckett used...

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0
Please explain what methods or lıterary technıques Samuel Beckett used ın Waitıng for Godot.

In Waiting for Godot, Act II p 51-52, how does Vladimir's monologue...

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In Waiting for Godot, Act II p 51-52, how does Vladimir's monologue bring out the subleties in characterization, plot, or theme?
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